<%@LANGUAGE="JAVASCRIPT" CODEPAGE="1252"%> PAINTING THE MENTAL CONTINUUM - HERB GREENE
 
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PAINTING THE MENTAL CONTINUUM
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PAINTING THE MENTAL CONTINUUM:
PERCEPTION AND MEANING IN THE MAKING
Berkeley Hills Books, 2003.

What happens within our thoughts and feelings as we view a photograph by Henri Cartier-Bresson of an aged man entering a cab, Vermeer’s Head of a Young Girl, or Dali’s Premonition of Civil War?  How do we derive meanings, ideas and emotions from a portrait of Anne Frank, or to an arresting image of an atomic diffraction pattern made with an electron microscope?

In Painting the Mental Continuum: Perception and Meaning in the Making, architect and artist Herb Greene offers a compelling new analysis of such pictures and our responses to them, reinforcing his arguments with original collage paintings.  His objective is to reach people who feel the power of images but have not paused to explore what is in the image – and in themselves – to make them feel this power.  For example, in finding the “godlike hidden hand” in the headdress of Vermeer’s Woman Holding a Balance, Greene points out details, contexts and overviews that influence thought and feeling, and shows how imagination shapes them into meaning.

In the second part of Painting the Mental Continuum, Greene introduces philosopher Alfred North Whitehead’s ideas on perception and interpretation of the visual world.  He also incorporates contemporary discoveries in the fields of cognitive science and neurobiology that confirm the validity of Whitehead’s insights.  By applying Whitehead’s ideas, with their emphasis on imagination and our dependence on the body-mind with its genetic inheritance, Greene achieves precision and originality in his explanations.  By imaging the painted ground of his collages as a “mental continuum,” in which the viewer unifies feelings and ideas into symbols, Greene also offers readers a new approach to understanding collage as an art form.

Illustrated with more than seventy reproductions, including ten by Jan Vermeer, Painting the Mental Continuum embraces a wealth of fresh insights that will guide readers, specialist and non-specialist alike, as they explore the intersection of art, philosophy and cognitive science.


PAINTING THE MENTAL CONTINUUM TOPICS:

EVOLUTION OF A MOUTH

HOMAGE TO ANNE FRANK FIRE HOSE IN BIRMINGHAM
VERMEER'S VIEW OF DELFT VERMEER'S GIRL IN A RED HAT
WHITEHEAD APPLIED TO DALI TURNER'S WIND, RAIN AND SPEED
SHIPS AND THE FEMININE GENDER CONFORMAL AND CONCEPTUAL FEELINGS
THE SHADOW HAND IN THE VERMEER #1 THE SHADOW HAND IN THE VERMEER #3
TEXAS MOTHER #1 AND THE LOVE LETTER SENATOR BARKLEY AT BUCHENWALD
CARTIER-BRESSON'S WOMAN ON A BENCH PREHENDING EVENTS IN A FOUR-DIMENSIONAL WORLD
THE TRANSCENDENCE OF ACTUAL ENTITIES THE ANTITHESIS BETWEEN PUBLIC AND PRIVATE
DEMONSTRATING THE EXTENSIVE CONTINUUM UNDERSTANDING THE WORLD AS A MEDIUM

 

For information or inquiries on purchasing Herb Greene paintings or drawings, please contact info@herbgreene.org
copyright © Herb Greene

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